时讯：莫言领取2012年诺贝尔文学奖 授奖词全文

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北京时间昨晚11点30分，诺奖颁奖仪式在斯德哥尔摩音乐厅举行。 0点16分左右，中国作家莫言正式获得了今年的诺贝尔文学奖，并从瑞典卡尔16世古斯塔夫国王那里获得了诺贝尔文学奖获奖证书和金牌。 今年的诺奖是800万瑞典克朗(约114万美元)。

在诺奖颁奖仪式上，诺贝尔文学奖审查委员会提名小组主席佩尔瓦斯特伯格介绍了莫言的作品，阐述了授予诺贝尔文学奖的理由。 他是诗人，粉碎陈腔滥调，升华茫茫人海中的个人，介绍说无声的想象力超过了人类存在的一切。 瓦斯特伯格的表彰辞全文如下

thenobelprizeinliteratureawardceremonyspeech

presentation speech by per wä； stberg，writer，member of the swedish academy，chairman of the nobel committee，10 december。

your majesties、your royal highnesses、esteemed nobel laureates、ladies and gentlemen、moyanisapoetwhotearsdownstereotypicalpropagande elevatingtheinpidualfromananonymoushumanmass.usingridiculeandsarcasmmoyanattackshistoryanditsfalsificationsaswellasdeprival ayfullyandwithill-disguised delight，herevealsthemurkiestaspectsofhumanexistence，almostinadvertes

north-easterngaomicountyembodieschina’sfolktalesandhistory.fewrealjourneyscansurpassthesetoarealmwheretheclamourofdonyes igss le’scommissarsandwherebothloveandevilassumesupernaturalproportions。

moyan’simaginationsoarsacrosstheentirehumanexistence.heisawonderfulportrayerofnature。 heknowsvirtuallyallthereistoknowabouthunger，andthebrutalityofchina’s 20 thcenturyhasprobablyneverbeendescribedsonakedy，with hee bandits–and especially，strong，indomitable mothers.heshowsusaworldwithouttruth，comon a world where people are reckless，helpless an

proofofthismiseryisthecannibalismthatrecursinchina’s history.inmoyan，itstandsforunrestrainedconsumption，excess， rubbish carnalpleasuresandtheindescribabledesiresthatonlyhecanattempttoelucidatebeyondalltaboodlimitations。

in his novel republic of wine，themostexquisiteofdelicaciesisaroastedthree-year-old.boyshavebecomeexclusivefoodstuff.thighe negle survive.theironyisdirectedatchina’sfamilypolicy， becauseofwhichfemalefoetusesareabortedonanastronomicscale:girls aren’tevengoodenoughtoeat.moyanhaswritenanentirenovel，becaus

myan’sstorieshavemythicalandallegoricalpretensionsandturnallvaluesontheirheads.wenevermeetthatidealcitizenwhowasastandrad。 atureinmao’s China.moyan’scharactersbubblewithvitalityandtakeeventhemostamoralstepsandmeasurestofulfiltheirlivesandburt esthes

instead of communism’s poster-happy history，mo yan describes a past that，with his exaggerations，parodiesanderivationsfrommythsandfos

in his most remarkable novel，big breasts and wide hips，whereafemaleperspectivedominates， moyandescribesthegreatleapforwardandthegreatfamineof 1960 instingingdetail.hemockstherevolutionarypseudo-sciencethattriedito inn rm，allthewhiledismissingdoubtersasright-wing elements.thenovelendswiththenewcapitalismofthe‘90 swithfraudstersbecomingrichbo

in mo yan，a forgotten peasant world arises，alive and well，before our eyes，sensuallyscentedevenitsmostpungentvapours， startlinglymercilessbuttingedbyjoyfulselflessness.neveradullmoment.theauthorknowseverythingandcandescribeeverything–kall andd construction，ditch-digging，animal husbandry，thetricksofguerrilabands.hesemstocarryalhuman

heismorehilariousandmoreappallingthanmostinthewakeofrabelaisandswift-inou rtime， inthewakeofgarcía marquez.hisspiceblendisapepperyone.onhisbroadtapestryofchina’slasthundredyears， thereareneitherdancingunicornskippingmaidens.buthepaintslifeinapigstyinsuchawaythatwefeelwehavebeentherefartolong.id eols ycomeandgobuthumanegoismandgreedremain.somoyandefendssmallinpidualsagainstallinjustices–from neseoccupationtomaoistterrorans

forthosewhoventuretomoyan’shome district，wherebountifulvirtuebattlesthevilestcruelty，astaggeringliteraryadventureawaits.hass inmoyan’swork，worldliteraturespeakswithavoicethatdrownsoutmostcontemporaries。

theswedishacademycongratulatesyou.icallonyoutoacceptthenobelprizeforliteraturefromthehandofhismajestytheking。

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